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Pati Patni Aur Woh Poster Directed by B. R. Chopra Produced by B. Chopra Written by Kamleshwar Starring Sanjeev Kumar Vidya Sinha Ranjeeta Music by Ravindra Jain Release date 7 July 1978 Running time 141 minutes Country India Language Hindi Pati Patni Aur Woh ( transl. The husband, the wife and the mistress) is a 1978 Hindi movie produced and directed by B. Chopra. The film stars Sanjeev Kumar, Vidya Sinha, Ranjeeta Kaur, and in guest appearances Rishi Kapoor, Neetu Singh and Parveen Babi. The film was remade under the same name in 2019 starring Kartik Aaryan, Bhumi Pednekar and Ananya Pandey. The film was directed by Mudassar Aziz and produced by Bhushan Kumar. Plot [ edit] The film starts off indicating the parallels of the story with that of Adam & Eve. Here, Adam is Ranjeet, Eve is Sharda while the apple is Nirmala. Ranjeet is newly employed in a company, whose pay scales can be gauged from the fact that he goes to work on a bicycle. However, this bicycle itself brings him face-to-face with Sharda, when he bumps into her by accident. Sharda's bicycle gets badly damaged & Ranjeet drops her off. The same evening, Ranjeet goes to the wedding of his friend Abdul Karim Durrani ( Asrani), a co-worker & a poet. Sharda is also present at the ceremony. Sharda & Ranjeet's love blossoms from there & soon they get married. In the course of a few years, Ranjeet is Sales Manager of the company and father of a son. Sharda & Ranjeet are still living in marital bliss. That is, until Nirmala, Ranjeet's new secretary, shows up. Ranjeet is inexplicably attracted to Nirmala. She is an honest girl who is trying to make two ends meet. She is much more beautiful compared to Sharda. But most of all, she knows nothing about Ranjeet's true intentions & his married life. Ranjeet is initially upset with his thoughts about her, but finally gives in. He carefully plans his further steps. He pretends to be the helpless grieving husband of a cancer stricken wife, who won't live much longer. Nirmala feels sorry for him, thus making it easier for him to get close to her. Nobody, not Sharda, not even his closest friend, suspects a thing. One day, Ranjeet bluffs to Sharda that he will be late coming home as he has a meeting. He takes Nirmala out to dinner. Next day, Sharda finds Nirmala's handkerchief, with lipstick marks on it, in Ranjeet's pocket. She immediately confronts Ranjeet, who makes up a story about a co-worker whose handkerchief he may have accidentally taken. Sharda reluctantly believes him. Ranjeet decides to take his next steps more carefully. Sharda too starts thinking that her fears were unfounded. Ranjeet makes even more interesting back up plans: He prepares two books of poetry, professing his love. The poems are the same in both, only one book contains Nirmala's name, and the other contains Sharda's. Ranjeet courts Nirmala without Sharda's knowledge. The turning point comes when Sharda sees him in a hotel with Nirmala. She later asks him about his meeting, about which the clueless Ranjeet lies. Sharda's fears are confirmed. She starts spying on him & Nirmala, taking incriminating pictures. After sufficient evidence is obtained, she secretly meets Nirmala, posing as a journalist. Nirmala, who hasn't seen Ranjeet's "ailing wife" yet, thinks Sharda intends to blackmail her. But Sharda reassures her that she won't. Nirmala spills all the beans, upon which Sharda reveals her true identity. Meanwhile, Ranjeet gets another promotion & rushes home happily to tell his wife about it. Sharda catches him unawares and lets him know that he is busted. Ranjeet does not know what has hit him. He turns round, only to see Nirmala behind him. Sharda tells him that she is leaving him & the divorce papers will be soon sent to him. Sharda & Nirmala console each other. Ranjeet calls upon his friend & lies that Nirmala has said some malicious lies to Sharda about him. Ranjeet's friend sides with him & lies about Nirmala's character. Sharda exposes Ranjeet in front of him as well, with help of the evidence she has collected. Sharda tells Ranjeet to choose either her or Nirmala. Ranjeet quietly gives Nirmala some money & lies to her, in a last-ditch attempt at damage control. But honest Nirmala returns the money to Sharda, making things even worse for Ranjeet. Sharda prepares to walk out on Ranjeet, while Nirmala resigns and leaves Ranjeet as well. Sharda comes to visit Ranjeet one last time, when their innocent son asks what is happening. Sharda decides to give Ranjeet another chance, if only for their son and soon life comes back on track. But soon another secretary ( Parveen Babi) joins the office & Ranjeet tries to resort to his antics once more. Just by coincidence, Ranjeet's friend suddenly walks in & Ranjeet backs off, taking this as a warning. Cast [ edit] Sanjeev Kumar as Ranjeet Chhadha Vidya Sinha as Sharda Chhadha Ranjeeta Kaur as Nirmala Deshpande Asrani as Abdul Karim Durrani Parveen Babi as Neeta (Guest appearance) Nana Palsikar as Nirmala's Nanaji Om Shivpuri as Sharda's Father Rishi Kapoor as Singer (Cameo of song "Tere Naam Tere Naam") Neetu Singh as Singer (Cameo of song "Tere Naam Tere Naam") Soundtrack [ edit] All lyrics are written by Anand Bakshi; all music is composed by Ravindra Jain. Songs No. Title Playback Length 1. "Ladki Cycle Wali" Mahendra Kapoor, Asha Bhosle 2. "Na Aaj Tha Na Kal Tha" Kishore Kumar 3. "Tere Naam Tere Naam" Mahendra Kapoor 4. "Thande Thande Paani Se Nahana" Mahendra Kapoor, Asha Bhosle, Poornima Awards and nominations [ edit] Remake [ edit] The remake of the film Released end of 2019. It is produced by Bhushan Kumar, Juno Chopra and Abhay Chopra with Rajiv Jha Kartik Aaryan, Bhumi Pednekar and Ananya Pandey as star cast. The film is directed by Mudassar Aziz and the filming began in February 2019. [2] The film is scheduled for release on 6 December 2019. [3] References [ edit] External links [ edit] Pati Patni Aur Woh on IMDb.
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Pati Patni Aur Woh is a progressive joyride. At the box office, the film has all it takes to prove a success story on account of an impressive star cast, popular music and dollops of comedy.
Director Mudassar Aziz's Pati Patni Aur Woh is a recipe for a paisa vasool entertainer. The film is a humorous farce on the subject of sex. It's not the most original or charming comedy, but it does most things well and provides value for money in those two hours. In the spirit, Pati Patni Aur Woh is akin to David Dhawan movies. Mudassar Aziz attempts a comic caper that drives you nuts. His mantra is very clear: Garnish the enterprise with witty one-liners, hip-swinging music and throw logic to the winds. Comedy is a difficult emotion to capture on celluloid and to pull it off and make the moviegoer laugh non-stop for 2+ hours is even more difficult. And Pati Patni Aur Woh works mainly because the gags and punches in the enterprise are truly funny and relatable.
The film has several things going in its favour but the camaraderie the three actors share is, undoubtedly, one of the USPs of the enterprise. In a nutshell, it is a chill pill every entertainment-hungry moviegoer would like to relish. The sole idea is to entertain and the film delivers what it promises. When you saunter into the cinema hall, just don't wear your thinking caps and you'd enjoy the film from start to end.
Jasmeet K Reen's adaptation of the original script is not a copy-paste job. A lot of modifications are done keeping in mind the contemporary taste of the viewers. Although the film has its share of funny and entertaining moments, the pace is erratic. There's no denying the fact that Pati Patni Aur Woh could've been better. It suffers from a slow build-up, the pace dips at places and emotions might be a huge turn-off as they ambush the comical sequences. Also, John Stewart Eduri's background score is plain ordinary. Chirantan Das' cinematography is limited to the touristy locales of Kanpur and Lucknow. He could've captured so much more. The songs are better stand-alone, but they lose their charm in the film. Also, the placement of the songs seems forced.
Director Mudassar Aziz isn't in complete form. If only he would've picked up a riveting story to make a stronger impression. Also, the twist in the climax is badly executed. But the key asset of Pati Patni Aur Woh is Mudassar Aziz's witty dialogues. Also, the film is visually exciting. The usage of bright colours makes it look glamorous.
If the film belongs to anyone, it's Kartik Aaryan and Aparshakti Khurana. They are absolutely remarkable, proving that their timing for comic sequences is just perfect. Kartik Aaryan endears to the viewers completely. He's sure to walk away with all the glory with this performance. Aparshakti Khurana is just brilliant, bringing the house down with his performance. Bhumi Pednekar excels in a role that seems tailormade. WOW!
Ananya Panday looks the part she has been asked to portray and she looks convincing. She is sure to be noticed. Manu Rishi Chaddha and Neeraj Sood are superb as always. Sunny Singh looks dashing in a special appearance. Kriti Sanon adds to the oomph with her cameo.
All said and done, Pati Patni Aur Woh focuses on wit and humour rather than logic. With crisp editing (Ninad Khanolkar) the film is sure to regale viewers and also strike gold at the box-office. You may call it cliched or formulaic, but it works big time. Go have fun.
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