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Creator: Riko Sakaguchi / Isao Takahata / genre: Family / Duration: 137Minute / / James Caan.
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Kaguya-hime no monogatari torrent. Watch [Kaguyahime no monogatari] Online Download. Watch Kaguyahime no monogatari Online Restlessbtvs. Watch Kaguyahime no monogatari Online Online, Fidelity Labs. Kaguyahime no monogatari. Kaguyahime no monogatari soundtrack. Kaguya hime no monogatari kissanime. Kaguya-hime no monogatari (the tale of the princess kaguya. Kaguya-hime no monogatari: Trailer HD VO st fr - Vidéo dailymotion. Kaguya hime no monogatari warabe uta. Kaguyahime no monogatari müzikleri. Other Japanese folktales: 🔸Nine-tailed fox. Kaguya hime no monogatari sub indo. The Tale of the Princess Kaguya is a breathtaking folktale brought to life with charm and finesse, and is, in short, an animated masterpiece.
As a movie watcher, I might be the most unbiased and least qualified to review The Tale of the Princess Kaguya. I know nothing of Studio Ghibli nor do I know anything about the film's writer and director Isao Takahata. Apparently both are juggernauts of animation and prolific artists in the medium of film. Without any knowledge of either I must solely look at the film for how it resonates with me, and in short: it is a beauty.
A bamboo farmer is harvesting his stalks when he comes across a tiny girl inside a lotus blossom within a severed bamboo stalk. He takes the little girl to his wife, who is childless, and they decide to care for the girl. Before they know it, the girl has transformed into a baby and rapidly grows into a striking young lady. Her father decides it must be the bamboo girl's fate to be a princess, which she fervently resists while simultaneously respecting his wishes. The poised and mysterious princess attracts much attention and enchants all those who hear of her. In the end, only she knows of her ultimate fate and in facing it, she faces her true being.
Unfortunately I found it extremely difficult to find the subtitled original Japanese language version of The Tale of the Princess Kaguya and could only watch the English dubbed version, though let it be known I always much prefer to watch a film in its original language. Luckily, production was able to get veteran actors for the English voiced version of The Tale of the Princess Kaguya so the film is able to stand on its own in English as well as Japanese.
Though aspects of the narrative within The Tale of the Princess of Kaguya are conventional, since its plot derives from an old Japanese folktale, the story is fantastical, emotional and enchanting and the antithesis of stale. The themes presented in the story are imaginative and engaging and the animation is complementary to the style.
I had long forgotten the days when animation was a medium to facilitate imagination, creativity and artistry – and The Tale of the Princess Kaguya revitalizes the medium for American viewers in a wonderful and masterful way.
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Kaguya hime no monogatari transcript. Kaguya hime no monogatari full movie. Kaguya hime no monogatari. Kaguya hime no monogatari pdf. Kaguya hime no monogatari full english sub. Kaguyahime no monogatari eksi. Kaguya hime no monogatari trailer. Kaguya hime no monogatari song lyrics. Watches Kaguya and Big Hero 6. Can't take oscars seriously anymore. Within the last year, much of the world was thrown into shock by two major announcements. One was the (supposed) retiring of Studio Ghibli co-founder, Hayao Miyazaki. The other shock came when rumor spread that the famed studio he was a part of, would most likely shut down…however, still continue to do small animated projects for Miyazakis Ghibli Museum, located in Tokyo. However, buried within much of the back-and-forth of the internet, was the information that Ghibli ‘s other co-founder, Isao Takahata, was releasing his first animated feature in over 14 years: The Tale of Princess Kaguya (Kaguyahime no monogatari. The film saw release in Japan during the Fall of 2013, and has just reached American shores, as of October, 2014, for a limited theatrical release. Of the directorial co-founders, Takahata is a less constant than Miyazaki. Since the founding of the studio in 1985, he has only made 5 feature films, including Kaguya. However, each time he releases a film, each one tends to be something special in its own right. Many highly praised his 1988 film Grave of the Fireflies, and one that I found myself appreciating very much, was his 1991 release, Only Yesterday (of which I discussed in one of my postings here... The story of  Princess Kaguya, is based on the 10th century Japanese folktale, The Tale of the Bamboo Cutter. Though often changed over the centuries, the central storyline consists of a man who finds a baby within a bamboo stalk. As he and his wife were childless, they happily welcomed the little babe into their lives. As the man cut down more bamboo trees, he found riches within them, and took this as a sign that the girl was a Princess. And thus, decided that she must be raised as one. Takahata keeps much of the tales origin woven into his own tapestry on-screen, but does add his own embellishments to the story. He develops a number of characters within the tale, as well as adds his own. Kaguya herself is a wonderful character within the film, one who seems to thrive amid the country where she is born into, as well as in the company of a gang of village children who live near her parents hut. This is highly contrasted when she is to begin her life within the confined walls of the city, as her father wishes. At first, being in this new and exciting world is fun to the Princess, but she soon longs for the tranquility she grew up in. We see her find little pockets of happiness here and there, but there are times when she seems to quietly find herself wondering about things. In a weird way, Princess Kaguya almost reminded me of another famous humble beginnings film character. I speak of course, of Charles Foster Kane, from Orson Welles Citizen Kane. I can see some possibly taking issue with Kaguyas placement in this society, but one must remember, its not a world that is being run through with modern-day popular-culture or the ‘girl-power of films like Brave or Frozen. It shows the sometimes sad realities and sometimes ridiculousness of some past traditions. There does come a moment where Kaguya balks at having her eyebrows plucked and blackening her teeth as part of a traditional dressing, but does so out of obligation to her parents. One gets the impression that she feels an obligation and a familial love towards them, but she is also wrestling with her inner emotions…and possibly, something else? With his 2000 release My Neighbors the Yamadas, Takahata sought to emulate a style similar to the comic strip the film was based on, giving that film a sketchy, watercolor feel. Kaguya almost captures the same feeling, but moreso in a historical context. Much of the style and characters take their cues from the Edo period of Japanese culture and art, though ‘simplified into a world of white backgrounds, watercolor, and pencil lines. Even still, the character of Kaguya is drawn differently from the others, looking more like a modern-day depiction of a woman than the Edo style of the 17th century. Theres a great contrast played up when she is put next to Lady Sagami, who is her tutor in how to properly be a Princess (as seen in the image below. Much like Miyazaki, Takahata seems to find a way to bring nature into his film, setting it up with a contrast at times to the modern city (of the time. Much like how the world seems to ‘breathe in natural beauty, Kaguya almost does the same. Her youth becomes one of fun memories, and her yearnings for return to that past world, keeps coming back to her, often in emotional ways that seemed to seep into the audience around me. Unlike most filmmakers, Takahata chooses a different composer for each of his films. This time, the honor falls to Jo Hisaishi, Miyazakis musical collaborator. And just as can be expected, Jo doesnt disappoint. Traditional instruments are used in a number of pieces, but much like the Princess herself, Hisashis score finds itself hitting a number of emotional areas. In one scene, he utilizes strings with a striking of the piano keys, to get down a major moment for the Princess. And in an interesting contrast, a celebration theme is almost cause for the opposite of the moment. Ive yet to hear a Hisaishi score I didnt like, and this is one that fans should pick up, if they havent yet. Watching the flow of the characters on many unfinished backgrounds, put me in mind of another release from the previous year, the French animated film, Ernest and Celestine. Both are wonderful adaptations of some interesting source material, and the simplicity of their art is the kind of thing that I could see inspiring many to pick up a pencil. heck, I kept watching the flow of Kaguyas hair, just admiring the line work. Every year, I always hope for one animated feature to rip my heart out, as well as find a film that is incredibly good, but that the general public will never really embrace. This year, Im surprised (and happy) to say, that both of those distinctions, are melded into The Tale of Princess Kaguya. Theres probably another 500 words I could have put down about the film, but I had to stop myself. Though Takahata has not said anything about retirement, one has to assume that given his age (79, 6 years older than Miyazaki. that this might just be his swan-song: a story from his country, brought to life in a flurry of pencil, watercolor, and emotion. The Wind Rises was moreso like Miyazaki (in the spirt of that films lead) holding his head high, and walking stoically into the sunset. With Princess Kaguya, Takahata is willing to show (or remind) us that even if he may not have had his head in the clouds like his friend, he still managed to be both grounded at times, yet emotionally appealing, in ways that not many may comprehend. One can only hope that maybe, those that are touched by his latest film, might be able to seek out his other works, and see what theyre missing. * Bloggers note: Isao Takahatas film “Only Yesterday” is not available in the United States.

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